Αrchaeological work

Stelios Triantis had the luck and the great responsibility to deal with masterpieces like the Caryatids of which made the first dies and photo copies. The new Museum of Olympia pediments of the temple of Zeus, which he set up again, like the Hermes of Praxiteles whose photograph and added the tibia and the Victory of Paionios photograph which he set up without the ugly iron back support see Georgia Hatzis, The Archaeological Museum of Olympia (publisher Foundation John S. Latsis. Athens 2008) pp. 202-272, 294-302, 311-312.

The monument of Kalithea in Piraeus Museum photo See George Steinhauer, The Archaeological Museum of Piraeus (versions GROUP Latsis, Athens 2001) pp. 305-309, 458-461 fig.

His contribution was not only the support and exhibition of ancient sculptures, but to supplement them with pieces that belonged, but had not been paid because they had either found in different seasons, or were not recognized as the heads in a handless statues headless children saved from the temple of Artemis at Vravrona or headstone from Rhamnus. In this area is interesting and one splice in a funerary relief of the National Museum with index number 3668 which acknowledged a handless head was in the Berlin Museum, which had apparently been sold.

The "archaeological" work is reflected in the list drawn up by the professor emeritus at the University of Thessaloniki George Despinis which is included on volume "Ancient Greek Sculpture. Tribute in memory of the sculptor Stelios Triantis' Benaki Museum. First Annex (Athens 2002), pp. 9-16.

The employment of Triantis with "healing" of ancient sculpture was to Triantis something different from the practice of personal expression in sculpture. The two jams equally fascinated him throughout his life.